ĭuring early chapters, people were somehow able to see into different dimensions from different angles, but this property is never expanded on. These Valentines do not have D4C's of their own however, this Stand seemingly being wholly unique to the 'Root World', the single universe where the Corpse resides. Furthermore, he can summon any number of alternate selves to a target dimension in order to outnumber his opponents. Nevertheless, since each Valentine is dedicated to gathering the Corpse Parts and has the same personality, the differences are unnoticeable. Said Valentine acquires the memory of the previous Valentine and becomes the 'Root Valentine' by virtue of now possessing the Stand, but his consciousness remains different from that of the previous owner. If Funny Valentine is injured, he can hop into another dimension and transfer his D4C to this world's Valentine. This keeps him from breaking into pieces and becoming scattered across the different worlds. It is explained that between dimensions, gravity as a force is able to persist with Valentine when he hops between dimensions. ĭiego Brando has demonstrated that people other than the Stand User can pull people to other dimensions if he reuses the same objects that were used to drag them between dimensions. Valentine can also only partially drag people into a new dimension, immobilizing them inside an object. This rule does not apply to Valentine himself. If not, and if they get too close to one another, both will crumble, splitting into Menger sponges W before obliteration, potentially causing an explosive reaction that may harm those close by. However, as no two versions of the same person or thing can co-exist in the same dimension, one of them will have to go back into their own. Valentine can also pull other people or items to other dimensions by forcing them between two objects or into the object he uses as a portal for instance he can slam a door on them while they are backed against a wall. One of the early facets of this power was that Valentine was impervious to projectiles as the hit body part would transform simply into a hole, however, this was then left out after its initial usage. Following that, Valentine may reappear from anywhere, like emerging from someone's back, presumably by affecting objects in a neighboring dimension. Valentine only needs an infinitesimal part of himself put between two objects to be able to hop between dimensions. Liquid materials, such as water count as objects as well, and even dust or steam. Valentine travels by being closed between two objects, shown first by putting himself between a chair and the ground. It also allows its user to visit these parallel worlds/dimensions and interact with them. Īlthough still exploring its full potential, Valentine is adept and creative with its powers.ĭirty Deeds Done Dirt Cheap allows different parallel worlds/dimensions to co-exist at the same time and/or in the same place. D4C was also capable of rivalling a transformed Diego in speed. In its default form, it is a close-range Stand with above-average strength and speed. It is able to punch a grown man away violently ,With its most impressive showing of strength being when D4C came out of Hot Pants' side and impaled her. However, representing Valentine's spirit across all dimensions, passing between a number of his bodies and linking each to the "root world" of the Corpse, D4C's abilities lend it peculiar depth.ĭ4C is among the most powerful Stands in the series. Even after Valentine recovers his health, D4C keeps its new form.ĭirty Deeds Done Dirt Cheap is baby blue and pink in all media featuring it.ĭ4C expresses no particular personality. Under its brow, its eyes appear to emote a cold gaze.Īfter a late encounter with Gyro Zeppeli, along with Valentine, D4C's appearance changes drastically as a result of Valentine's rapid aging at the hands of Gyro's Stand, losing a layer of its garb/armor/covering, including its horns. It's designed after the image of leather being stitched together, like on a baseball. D4C has a humanoid form with large, upright horns that somewhat resemble the ears of a leporid W a masked mandible, and a light body lined by an almost unbroken seam or trim.
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